Can robot mastering replace a professional mastering engineer?
By Arjan Rietvink in CD Mastering - 29/09/2016

The last few years a new kindĀ of online mastering website is found on the internet. I would like to call it robot mastering. But it is also known as automatic mastering. Itā€™s completely automatic without the interaction of a human mastering engineer. And therefore it is cheap. Those websites work on a simple principle. First you upload your track. Then the ā€œrobotā€ on the website uses some kind ofĀ algorithm to master your track. After that within a few minutes you can download the result. Sounds great so far right? Actually it doesnā€™t according to a lot of people who wrote about this subject on the internet. But even when it would come to a point someday that robotĀ mastering can actually replace a professional (online) mastering engineer then there areĀ still a few bigĀ disadvantages in using a service like that.

Human mastering vs. robot mastering:

As a mastering engineer I can not imagine that a robot can do a job that involves so much of small detailed corrections, creativity and years of experience. ButĀ this blog isnā€™t about if human mastering is better or worse than robot mastering sound wise. There are a few big limitations when using an automatic online mastering service that doesnā€™t involve a human mastering engineer. Below a few things that an automatic online mastering service is incapable of.

Lack of musical understanding:

Automatic mastering can not understand and listen to music the way humans do. For instance if there is a peakĀ in the high frequency range it doesnā€™t know if that was caused by aĀ vocal that needs to be de-essed or that it was a cymbal crash that was meant to be a little bit louder.

You canā€™t send reference tracks:

The biggest problem with automatic mastering services is that you can not tell the robotĀ how you want your track to sound. Ā When we receive a track for mastering most of the customers also send one or more reference tracks. By listening to the referenceĀ track we can notice loudness, amount of bass, amount of mid and high frequencies and anything in between. We can hear the dynamics, the amount of punch, the stereo imaging etc. SoĀ those tracks are helping us understand what kind of sound the customer wants for his track.

No feedback from the mastering engineer = No learning experience:

Another very important limitation of an automatic mastering service is that it can not communicate with you. The robot canā€™t tell you what you could improve to create a better mix. So you will be making the same mistakes over and over again. Ā It will just master what you send. Without giving you a chance to make corrections before the final mastering is done.
When (inexperienced) producers start using our online mastering service we try to help them to improve their mixes. When they become returning customers we can hear improvements in their mixes. Each new mix sounds a little better than the one before.

No revisions:

With automatic mastering it is not possible to ask for a revision. You can not tell the robot if you want any changes inĀ the sound. Our online mastering service gives you 3 free revisions. If you want to change anything to the sound of the master just ask us and we will change it.

No preparation for distribution:

Automatic mastering services do not prepare your tracks for distribution. When we master a track we check if theĀ track is not missing the beginning. Sometimes it can happen that a track delivered for mastering is missing the attack of the first kick. We also check if there is enough space in front of the first sound of the track.Ā Playback devices need some time to un-mute the audio output when starting a track. Removing any additional blank audio at the beginning or end of theĀ track is also part of our mastering service. We can apply a nice fade out if the last reverbĀ of the track suddenly stops. If needed we can also remove unwanted noise, clicks or pops. Our mastered for iTunes service makes sure there areĀ no inter-sample peaksĀ after conversion to MP3 or AAC.

Any benefits at all?

Automatic mastering is cheap and fast. So itĀ can be helpful when you are in a rush or low on cash. But do you really want your masterpiece that is painstakingly produced by you, to be treated with some algorithm that canā€™t communicate or understand music the way humans do? I personally do not see how that is going to help serious music producers to get to the next step in their musical career.

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